This series was a response to the notorious "Clause 28", that was instituted during the Thatcher years within local government in the UK that forbid the representation of homosexual relationships as "pretended family relationships."

It had a far reaching effect as productions across many art forms depended upon venues and funding from local authorities. It also mobilised a vigorous response from the gay and lesbian community as it brought men and women together.

The form of the pieces was made up of a portrait of an unnamed couple, a poem by my then partner Stephen Dodd and section of an image shot at the various demonstrations against the Clause in London.