SUNIL GUPTA
  • Home
  • Photography
    • Friends & Lovers: Coming Out in Montréal in the 1970s
    • Christopher Street, New York 1976
    • Cruising 1960s Delhi
    • London 1977
    • London 1982
    • Lovers: Ten Years On
    • Reflections of the Black Experience
    • Asians in Bradford
    • Exiles
    • Social Security
    • "Pretended" Family Relationships
    • Trespass 1
    • Trespass 2
    • Trespass 3
    • From Here to Eternity
    • The Body Positive
    • Love and Light
    • Imagining Childhood
    • Homelands
    • Tales of a City: Delhi
    • Country: Portrait of an Indian Village
    • Mr Malhotra's Party
    • Anonymous Self Portraits
    • Love, Undetectable
    • Women in Love
    • The New Pre-Raphaelites
    • Sun City
    • Stockwell
    • Helmut Lang Christopher Street
    • Dissent and Desire
    • Songs of Deliverance — Part I
    • Songs of Deliverance — Part II
    • Arrival
  • Books
    • An Economy of Signs
    • Disrupted Borders
    • Ecstatic Antibodies
    • Trespass 1
    • Sunil Gupta Monograph
    • Pictures From Here
    • Wish You Were Here
    • Queer
    • Delhi: Communities of Belonging
    • Christopher Street
    • Lovers: Ten Years On
    • London 1982
    • From Here To Eternity
    • We Were Here : Sexuality, Photography, and Cultural Difference
    • Come Out
    • Tessa Boffin Ed. Sunil Gupta
    • Tate Photography: Sunil Gupta
  • Shop
    • Limited Edition Prints
    • Books For Sale
  • Video
  • Curating
    • Stevie Bezencenet
    • Joy Gregory
    • Same Difference
    • The New Republics
    • Simryn Gill
    • Divine Facades
    • Fernando Arias
  • Newsletters
    • 2025
    • 2024 Archive
    • 2023 Archive
  • Columns
    • A Return from Exile
    • Relative Values
    • The End of Marriage
    • A Laying on of Hands
    • City of Dreams
    • Oral History
    • Pride and Prejudice
  • Press
  • About
  • Contact

An Economy of Signs:
Contemporary Indian Photography

Picture
​Co-ordinated in India by Radhika Singh/Fotomedia
Design: Lesley Stewart
Rivers Oram Press / London 1990
Funded by Arts Council England
Cover photo: Ram Rahman

This book and exhibition project was initiated as a collaboration with the Photographers' Gallery, London. I wanted to demonstrate that if we commissioned Indian photographers to the same amount as we do Western ones they would give us work to an international standard.

"The title of this book is an allusion to the R K Narayan stories about a mythical South Indian town Malgudi; a microcosm of Indian society. An Economy of Signs is the work of eight Indian photographers, all born after Independence.
India provides rich material for the photographer. The almost incredible social change in this century, the contrasts in cultures and races, the surreal visual juxtapositions, the rituals, all overlaying each other - all prime subjects. But the conflicts between and within India's urban and rural societies - its English-speaking and non-English-speaking citizens, its caste system, its drive to create a national, secular identity and aspirations of its regions and culture - make it possible only to provide 'signs' towards understanding."

The contributing photographers and writers: 

Saleem Kidwai
Amit Jayaram
Sheba Chhachhi
Ashim Ghosh
Karan Kapoor
Amita Prashar
Ram Rahman
Sanjeev Saith
Ketaki Sheth
Sooni Taraporevala
  • Home
  • Photography
    • Friends & Lovers: Coming Out in Montréal in the 1970s
    • Christopher Street, New York 1976
    • Cruising 1960s Delhi
    • London 1977
    • London 1982
    • Lovers: Ten Years On
    • Reflections of the Black Experience
    • Asians in Bradford
    • Exiles
    • Social Security
    • "Pretended" Family Relationships
    • Trespass 1
    • Trespass 2
    • Trespass 3
    • From Here to Eternity
    • The Body Positive
    • Love and Light
    • Imagining Childhood
    • Homelands
    • Tales of a City: Delhi
    • Country: Portrait of an Indian Village
    • Mr Malhotra's Party
    • Anonymous Self Portraits
    • Love, Undetectable
    • Women in Love
    • The New Pre-Raphaelites
    • Sun City
    • Stockwell
    • Helmut Lang Christopher Street
    • Dissent and Desire
    • Songs of Deliverance — Part I
    • Songs of Deliverance — Part II
    • Arrival
  • Books
    • An Economy of Signs
    • Disrupted Borders
    • Ecstatic Antibodies
    • Trespass 1
    • Sunil Gupta Monograph
    • Pictures From Here
    • Wish You Were Here
    • Queer
    • Delhi: Communities of Belonging
    • Christopher Street
    • Lovers: Ten Years On
    • London 1982
    • From Here To Eternity
    • We Were Here : Sexuality, Photography, and Cultural Difference
    • Come Out
    • Tessa Boffin Ed. Sunil Gupta
    • Tate Photography: Sunil Gupta
  • Shop
    • Limited Edition Prints
    • Books For Sale
  • Video
  • Curating
    • Stevie Bezencenet
    • Joy Gregory
    • Same Difference
    • The New Republics
    • Simryn Gill
    • Divine Facades
    • Fernando Arias
  • Newsletters
    • 2025
    • 2024 Archive
    • 2023 Archive
  • Columns
    • A Return from Exile
    • Relative Values
    • The End of Marriage
    • A Laying on of Hands
    • City of Dreams
    • Oral History
    • Pride and Prejudice
  • Press
  • About
  • Contact