SUNIL GUPTA
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Arrival 2022
(Sunil Gupta + Charan Singh)

By Sunil Gupta and Charan Singh 

(with the Journey Asylum Seekers Group)

Assissted by: Yas Lime (set assistant) and Zodi (makeup artist)


Produced by Fierce for Healing Gardens of Bab

Fierce had invited artists Sunil Gupta and Charan Singh to create a new body of photographic work with members of Journey, a Midlands LGBTQ+ community group for people secking asvium or who have been through the asylum process. The British Empire exported homophobia across the world and many Commonwealth countries retain these prejudiced penal codes to this day. In India, Section 377, introduced by the British in 1860, criminalised homosexuality. Gupta's series The New Pre-Raphaelites, produced in response to this law, was the inspiration for this invitation.

Arrival is a collaborative artwork between Sunil Gupta and Charan Singh themselves migrants to the UK. Using the 19th century native studio portrait that illustrated Victorian notions of behavioural identities, the artists invoke this colonial legacy and subvert the histories of the Empire Specifically, its homophobic anti-sodomy laws that still haunt many Commonwealth nations. Together with their subjects, they create empathetic poetic gestures to express their sitters' range of emotions. sometimes joyful and sometimes anxious, always anticipating when the process of their arrival will become complete Every sitter brings a unique narrative to the collecave stories of refugees and aslum seekers. The project is also a reminder that extreme homophobia exists beyond the Commonwealth in many parts of the world. including some European countries.

In partnership with Pride House
​
wearefierce.org
#HealingGardensOfBabs
  • Home
  • Photography
    • Friends & Lovers: Coming Out in Montréal in the 1970s
    • Christopher Street, New York 1976
    • London 1977
    • Cruising 1960s Delhi
    • Towards an Indian Gay Image
    • London 1982
    • Lovers: Ten Years On
    • Reflections of the Black Experience
    • Asians in Bradford
    • Exiles
    • Social Security
    • "Pretended" Family Relationships
    • Trespass 1
    • Trespass 2
    • Trespass 3
    • From Here to Eternity
    • The Body Positive
    • Love and Light
    • Imagining Childhood
    • Homelands
    • Tales of a City: Delhi
    • Country: Portrait of an Indian Village
    • Mr Malhotra's Party
    • Anonymous Self Portraits
    • Love, Undetectable
    • Women in Love
    • The New Pre-Raphaelites
    • Sun City
    • Stockwell
    • Helmut Lang Christopher Street
    • Dissent and Desire
    • Songs of Deliverance — Part I
    • Songs of Deliverance — Part II
    • Walworth Road
    • Arrival
  • Books
    • An Economy of Signs
    • Disrupted Borders
    • Ecstatic Antibodies
    • Trespass 1
    • Sunil Gupta Monograph
    • Pictures From Here
    • Wish You Were Here
    • Queer
    • Delhi: Communities of Belonging
    • Christopher Street
    • Lovers: Ten Years On
    • London 1982
    • From Here To Eternity
    • We Were Here : Sexuality, Photography, and Cultural Difference
    • Come Out
    • Tessa Boffin Ed. Sunil Gupta
    • Tate Photography: Sunil Gupta
  • Shop
    • Limited Edition Prints
    • Books For Sale
  • Video
  • Curating
    • Stevie Bezencenet
    • Joy Gregory
    • Same Difference
    • The New Republics
    • Simryn Gill
    • Divine Facades
    • Fernando Arias
  • Newsletters
    • 2025
    • 2024 Archive
    • 2023 Archive
  • Columns
    • A Return from Exile
    • Relative Values
    • The End of Marriage
    • A Laying on of Hands
    • City of Dreams
    • Oral History
    • Pride and Prejudice
  • Press
  • About
  • Contact