SUNIL GUPTA
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From Here to Eternity

I made these works partly in response to a period of illness brought on by the HIV. I thought that it might be time to think about how the virus affects my life. I ended up with these six diptychs. They were made in the darkroom as straight forward negative positive prints. Printing one's work in the darkroom is still magical as opposed to the digital printing that has largely taken over. The process itself seemed therapeutic.

The work was commissioned by Autograph-ABP, London and was first seen at Standpoint Gallery in London.
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  • Home
  • Shop
    • Category
  • Photography
    • London 1982
    • Friends & Lovers: Coming Out in Montréal in the 1970s
    • Christopher Street, New York 1976
    • Lovers: Ten Years On
    • Reflections of the Black Experience
    • Asians / Bradford
    • Social Security
    • Exiles
    • "Pretended" Family Relationships
    • Trespass 1
    • Trespass 2
    • Trespass 3
    • From Here to Eternity
    • Homelands
    • Tales of a City: Delhi
    • Imagining Childhood
    • Country: Portrait of an Indian Village
    • Love and Light
    • Mr Malhotra's Party
    • The New Pre-Raphaelites
    • Love, Undetectable
    • Sun City
    • Women in Love
    • Stockwell
    • Helmut Lang Christopher Street
  • Books
    • London 1982
    • From Here To Eternity
    • Lovers Ten Years On
    • Christopher Street
    • Delhi: Communities of Belonging
    • Queer
    • Wish You Were Here
    • Pictures From Here
    • Exiles
    • From Here To Eternity
    • Trespass
    • Disrupted Borders
    • An Economy of Signs
    • Ecstatic Antibodies
  • Video
  • Curating
    • Same Difference
    • Fernando Arias
    • Divine Facades
    • Simryn Gill
    • The New Republics
    • Joy Gregory
    • Stevie Bezencenet
  • Columns
    • A Return from Exile
    • Relative Values
    • The End of Marriage
    • A Laying on of Hands
    • City of Dreams
    • Oral History
    • Pride and Prejudice
  • Work
  • Press
  • About
  • Contact
  • Blog